The pink panter
On narrow screens, scroll horizontally to view the full score.
Accessible view
Structured notation view
The score is in treble clef, 4/4 meter, and E minor, with one sharp (F♯) in the key signature. The pickup precedes measure 1. Each cell below gives the notes, rests, durations, ties, and beamed groups in left-to-right order; a vertical bar at the end of a cell is the engraved barline.
Duration key: eighth = ♪, quarter = ♩, half = 𝅗𝅥, dotted half = 𝅗𝅥., whole = 𝅝. “Rest” names the corresponding rest. Pitch names are scientific-pitch names; accidentals shown in a cell are part of that note.
The notation table has a readable minimum width. On a narrow screen, focus the region and scroll horizontally.
| Measure | Chord symbol | Notes and rests, in reading order |
|---|---|---|
| Pickup | — | D♯4 (eighth) | |
| 1 | Em | E4 (dotted half); eighth rest; E4 (quarter); eighth rest; D♯4 (eighth) | |
| 2 | Em | E4–F♯4–G4–A4 (beamed eighths); B4–A4–G4–F♯4 (beamed eighths) | |
| 3 | C | B♭4 (quarter); A4–G4–F♯4 (beamed eighths); E4 (half) | |
| 4 | Em | E4 (dotted half); quarter rest; E4 (eighth); D♯4 (eighth) | |
| 5 | Em | E4 (quarter); eighth rest; E4 (eighth); eighth rest; D♯4 (eighth) | |
| 6 | Em | E4–F♯4–G4–A4 (beamed eighths); B4–A4–G4–F♯4 (beamed eighths) | |
| 7 | B | B4 (half), tied across the barline to B4 | |
| 8 | B | B4 (dotted quarter, continuation of tie); eighth rest; D♯4 (eighth) | |
| 9 | Em | E4 (quarter); eighth rest; E4 (eighth); eighth rest; D♯4 (eighth) | |
| 10 | Em | E4–F♯4–G4–A4 (beamed eighths); B4–A4–G4–F♯4 (beamed eighths) | |
| 11 | C | B♭4 (quarter); A4–G4–F♯4–E4 (beamed eighths); D4 (quarter) | |
| 12 | C | A4–G4–F♯4–E4 (beamed eighths); E4 (half) | |
| 13 | Em | Quarter rest; B4–A4 (beamed eighths); G4–F♯4–E4–D4–C4–B3 (beamed eighths) | |
| 14 | Em | B♭4 (quarter); A4–G4–F♯4–E4–D4–C4–B3 (beamed eighths) | |
| 15 | Em | E4–D4–C4–B3 (beamed eighths); B3 (quarter), tied to B3 (quarter) | |
| 16 | Em | Whole-bar rest | |
| 17 | C | E4–D4–C4–B3 (beamed eighths); B3 (quarter), tied to B3 (quarter) | |
| 18 | C | Whole-bar rest | |
| 19 | Em | E4–D4–C4–B3 (beamed eighths); B3 (quarter), tied to B3 (quarter) | |
| 20 | Em | Whole-bar rest | |
| 21 | C | E4–D4–C4–B3 (beamed eighths); B3 (quarter), tied to B3 (quarter) | |
| 22 | C | Whole-bar rest | |
| 23 | Em | E4 (whole note), followed by the final barline ‖ |
The score image above remains available for staff placement, clef engraving, beams, noteheads, and the composer credit shown on the page.